DIRECTOR BIO
Born in Tokyo in 1962. After graduating from Waseda University’s Faculty of Letters, Arts and Sciences, he joined TV Man Union and directed documentary programs. He made his feature film directorial debut in 1995 with Maborosi, which won the Golden Osella Award at the Venice International Film Festival. He has continued to create works focusing on family dynamics and social issues, including Nobody Knows, Like Father, Like Son, Our Little Sister, and Shoplifters, earning great acclaim both domestically and internationally. In 2018, Shoplifters won the Palme d’Or at the 71st Cannes International Film Festival. Koreeda has expanded his activities to include international co-productions, anchoring his worldwide reputation as a leading figure in Japanese cinema.
DIRECTOR COMMENT
On a return trip from Kyoto by bullet train, I was attracted by “the back” on the cover of a book, stacked up on display at a bookstore in Shinagawa station, and instinctively picked it up—that was how I first encountered the original manga Look Back. That night, I read it in a breath. The manga strikingly delivers the author’s determination. Although manga and film are different genres, as a fellow creator, I felt with a searing clarity that author Tatsuki Fujimoto simply couldn’t move forward without creating this work. For me, Nobody Knows was that kind of work.
Upon making the film adaptation, I tried to carefully depict the span of the time in which the two girls, Fujino, who draws the characters, and Kyomoto, who draws the backgrounds, meet as if destined to do so, and together nurture a strong bond. The film captures the two (four actors) for about a year and a half through the four seasons of the Tohoku region. As the story follows the growth of these two manga artists, sound is also a crucial element. The sound of them drawing manga, changing overtime, plays a major role in the film as a non-verbal form of expression, alongside the music.
The encounter with the original manga demanded a sense of determination from me—both as a creator and as a person—and gave me encouragement. I hope this film will be that kind of work for others as well.